![]() So the British director - known for being a creator of HBO’s offbeat “Flight of the Conchords” and a writer-director for “Da Ali G Show” - suggested they create a literal character of Time, who is often our enemy. So in Lewis Carroll’s mind, time was a person.” “But there is this thing in ‘Wonderland’ where the Hatter is at the tea party and he says he was stuck there because he and Time had quarreled. “When I read the script, I really liked it,” says Bobin. Its combination of live-action and animation caught the public’s fancy and set off a trend that is still exploding. “When Tim came in, he added another super-interesting layer to the story,” says Todd. The writer took the film to producer Suzanne Todd, and then Tim Burton was brought on to direct. “But it’s a strange book.”Īctually, “Wonderland” didn’t have much more of a narrative flow either, but for that film Linda Woolverton wrote a script that stressed the female empowerment of Alice, making her a young adult instead of a child. He was interested in wordplay, math paradoxes and satire. “The problem,” says James Bobin, the director of Disney’s “Alice Through the Looking Glass,” which is in theaters now, “is there’s really no cause and effect in the narrative, and that’s really hard to make into a film.”Ĭarroll, the pen name of Oxford mathematician Charles Dodgson, constructed the story like a chess match. In the case of 2010’s “Alice in Wonderland,” there was obvious source material for another go-round, “Through the Looking-Glass, and What Alice Found There,” Lewis Carroll’s 1871 follow-up to the classic tale. ![]() ![]() When a Hollywood film makes more than a billion dollars worldwide, there is an inevitable push for a sequel.
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